It s Okay To Not Like Overwatch

Revision as of 06:15, 17 November 2025 by ChristianeBeckha (talk | contribs) (Created page with "<br>Rather, there’s a more pressing issue that has become increasingly more important as we enter (or instead, have already entered) a new era of video games that evolves from out its infancy as but a mere medium or a hobby…and transforms into an industry, a business. And that’s self-awareness; the notion that, perfectly fine as it is to show pride, professionalism and posterity as a creator/director/manager/whoever (be it for consumers, audiences or share-holders...")
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Rather, there’s a more pressing issue that has become increasingly more important as we enter (or instead, have already entered) a new era of video games that evolves from out its infancy as but a mere medium or a hobby…and transforms into an industry, a business. And that’s self-awareness; the notion that, perfectly fine as it is to show pride, professionalism and posterity as a creator/director/manager/whoever (be it for consumers, audiences or share-holders alike) it’s just as important to take your eye just that little bit out of the epicentre and look beyond the stained-glass windows to your splendid ivory towers. To see how the industry might be perceived-come-translated across to the community. No matter the intensity. Oh yes…there are obviously so many other matters to attend to such as…perhaps…not treating consumer bases like docile piggybanks; not deliberately miscuing information; not letting every nit-picking, social media-sappy, correctness-avid serial complainer dictate the who, what, when & why of your games.


Yesterday evening (December 1st, at the time of writing this) was the night of the annual Game Awards show, a lavish live-streamed spectacle where the best and brightest of the video games industry gathered in Los Angeles - in order to receive awards voted on by industry peers and journalists, celebrating the year in gaming. It was a good night for big-name hits like Uncharted 4: A Thief's End , the reboot of DOOM and Blizzard's mega-selling team shooter **Overwatch ** , as well as respected independent titles like That Dragon Cancer - and it was a chance for those in attendance to show off all-new trailers for upcoming tit

Lucio's abilities take a little bit of getting used to, but they turn him into potentially the best support hero if used wisely. It's important to note that Lucio emits an aura around him constantly, with its effect varying based on his use of his Crossfade ability. By pressing the corresponding ability key, Lucio will swap his aura frequency to either buff ally speed or health; of course, Lucio also gains this buff himself. The wisest players will use his speed buff on allies who are struggling in battle, or those who need to get back into the action after an untimely death. His other main ability, Amp it Up, allows him to increase both the range and strength of his aura, meaning that you can either heal a significant portion of your team in an instant, or make everyone on your squad incredibly quick. Finally, Lucio's ultimate ability, Sound Barrier, gives a massive, but temporary, increase in hitpoints to both himself and everyone in the surrounding area. Timing your use of all of these skills can take an average team and make it outstanding, but those who simply spam these abilities will find themselves either dead or completely ineffective.


It's been 17 years since Blizzard started a new franchise; even the immensely popular Hearthstone is an extension of the Warcraft universe. For a long time, it looked like the next new IP would be "Titan," a superhero MMO in development for seven years at the time it was cancelled. Shortly after Blizzard announced its cancellation, Overwatch appeared, and it's not hard to imaging the latter as an evolution of "Titan." It’s likely the public will never know all the details regarding "Project Titan ." We do know, however, that several maps made their way into Overwatch , and at the very least the character of Tracer survived the cancelled ti


In an era where games are released unfinished to make a profit later and fighting games suffer from player bases where character access is gated off behind DLC, Blizzard’s decision to patch in new matches, modes, and characters for free rather than asking players to pay for the privilege is nothing short of incredible. If Overwatch’s community begins to dwindle, it won’t be because they’re divided between base game players and those with the money to buy extras, because Blizzard’s decision means that anyone who picks up the game will have the same access to modes, maps, and heroes as everyone else. Speaking of heroe


There are many superficial similarities between Shield Bash Overwatch 2 and Battleborn , Gearbox’s character-based shooter released just a few weeks before Blizzard’s: both feature large rosters of cartoonish, over-the-top characters, and both are multiplayer-focused games with an emphasis on teamwork and roles. But there are significant differences between the two games that actually make the comparisons a little unfair. For starters, Battleborn does have some single-player offerings, but its main differentiator is in its inspiration. From the structure of its maps to the low-ranked AI units serving as cannon fodder to the way players slowly level up over the course of a match, Battleborn is clearly trying to blend first-person gameplay with frantic MOBA elements perfected in games like League of Legends . Overwatch is far more similar to Valve’s legendary class-based shooter Team Fortress 2 . It takes that game’s concepts (learning a class, wildly differing roles based on attacking, defending, and support, and changing roles constantly to adapt to new situations) and cranks them up to eleven, as more characters means more slight tweaks on the same central id